Norma Manatu's African American Women and Sexuality in the Cinema PDF

By Norma Manatu

ISBN-10: 0786451440

ISBN-13: 9780786451449

The illustration of African American ladies is a crucial factor within the total learn of ways ladies are portrayed in movie, and has obtained severe awareness lately. generally, "women of colour, " really African American girls, were on the margins of reports of womens on-screen depictions--or excluded altogether. This paintings focuses solely at the sexual objectification of African American girls in movie from the Nineteen Eighties to the early 2000s. Critics of the destructive sexual imagery have lengthy speculated that keep watch over by way of African American filmmakers could switch how African American girls are depicted. This paintings examines 16 motion pictures made by way of men either white and black to determine how the imagery may perhaps switch with the race of the filmmaker. 4 dimensions are given certain realization: the range of the womens roles and relationships with males, the sexual attitudes of the African American girl characters, their attitudes in the direction of males, and their nonverbal and verbal sexual behaviors. This paintings additionally examines the function tradition has performed in perpetuating the photographs, how movie affects audience conception of African American ladies and their sexuality, and the way the imagery polarizes girls via functioning as a regulator in their sexual behaviors in accordance with cultural definitions of the female.

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Extra resources for African American Women and Sexuality in the Cinema

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115). Though Lerner (1972) argues “there were no records of the rape and violation of white women…” (p. 180) by hordes of black men, the belief persisted well into the 20th century. Black men’s shared history of racial and sexual oppression with black women, thus, indicates that black male filmmakers should hold more positive views of black women’s sexuality. Their depictions, therefore, would be expected to be more sensitively portrayed. From their vantage point, white filmmakers, on the other hand, might be expected to hold more negative ideas of black female sexuality.

St. Jean & Feagin (1998) note that “[m]yths about wanton black women abound in this society” (p. 101), where black women are still perceived as sexual gratifiers ( Jordan, 1968; Gutman, 1976; Simson, 1983; hooks, 1992, 1995). Thus, whether as in the 1700s or as today, whether educated or untutored, black women have been unable to rid themselves of the deviant sexual stereotype. Nor has the black male been spared of his own set of negative sexual stereotypes ( Jordan, 1968; Leab, 1975; Bogle, 1989; Diawara, 1993).

110). And with everyone viewing, she argues, the black community gets its sense of its shape, texture, age, and gender from its unflattering on-screen portrayals. That is, the medium offers up images that speak for the black community and define black identity. These charged critiques regarding the portrayals make clear the concern over whether black audiences, in particular, will come to identify with the negative characterizations. We need then not just to look at the potential impact of the negative images on dominant group members’ attitude toward blacks generally, but to understand why the moving image appears to have such appeal for blacks.

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African American Women and Sexuality in the Cinema by Norma Manatu


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